When it opened, I tried the Museum of Contemporary Art. It would be rude not to, seeing as it’s opposite the hotel. And it gave me an opportunity to go back to the hotel for everything I forgot in the (wasted) effort to get out early. The original plan was to go to the beach, but it wasn’t the weather for it.
The MCA was worth going to. On the grould floor was an exhibition by a Pakistani artist who did miniatures in a very traditional style (obviously traditional painting doesn’t show TVs and the like, but that was the idea) or huge murals. Upstairs was an American artist who made the most bizarre and wonderful contraptions that made very strange noises. He had a noticeable pre-occupation with the senses, and sculptures very much on a theme. On the same level was a small exhibition by a minimalist Scottish artist amd then upstairs was a show of stuff by an Aussie who took photos of herself in strange poses. Some of it made a point – the way women are perceived etc – some of it was going just a little too far (a vidoeeof a rotting cows tongue for instance.)
Afterwards I made my way back across town to the other main museum which, according to the guidebook, is “probably the best”. It’s an old power station, in a similar vein to the Magna in Rotherham (which, despite best plans, I never made it to). Being a museum of Technology (ie what the Australians gave to the world – look, see we’re really put down, everyone steals our ideas) and Design. True to the other museums I’ve been to, there seemed to be very little logic in the way things were displayed. Even the "style through the ages" display was difficult to follow and that was supposed to be chronological. And the interactive gallery had lots of machines, none of which quite seemed to work. The bubbles didn’t and the scents were worn out (did you know that the smell of mint is the same chemical as carraway, but in mirror image? Makes sense actually, particularly if you’ve used carraway as a breath-freshener). There were interesting bits and factlets, but considering the pleas for Australia that were made, it was amsuing that the centre-piece is a beam engine from London that was donated.
Maybe I’m being unfair. And at least I had the option to avoid the “10 years since Diana died” exhibition without paying. And I was there for several hours so it can’t have been bad. (No, I wasn’t lost).
I walked back slowly. It had to be slowly as it was the height of the rush hour and the pavements were crammed. Stopped at a Haigh’s shop – that’s the Adelaide chocolate factory just down the road from here. My feet hurt, plus I had cramp badly in my leg on Sunday, which didn’t help.
So I got changed and went out again. This time I took the ferry across to Manly (named because that is what the men thought they were!). There is a whole network of green and cream ferries that run like Nottingham City transport buses (in colour) across the harbour. That’s how you commute. So the way out over the deep petrol-green coloured water, past the Opera House, past the naval dockyards and the mouth of the harbour where you feel the Pacific waves to a small art deco pier by a beach. The ocean beach is a half-mile or so walk away down the Corso, where people were still surfing the pale aqua water and a man was resting by an elaborate sandcastle taking plaudits and posing for photos proudly. I ate my fish and chips (still no vinegar) on the beach wall, than wandered back to the harbour side. On the way I finally managed to find a silver ring with a peridot in – only been looking for a few years.
And there are a lot of hacked-off looking Indians today in Sydney. Guess they’ll be coming to Adelaide via Perth.
Anyway, it was nearly dark by the time the ferry left. And the view as you come back into Circular Quay is as spectacular as you imagine it will be. Well, what you can see over all the people trying to take long-exposure photos from a constantly moving platform. It doesn’t work. The skyscrapers of the CBD line the Quay, all with lights (this is me talking – don’t particularly like cities, still mpressed by the Westpac tower which is the one medium-rise building here) and coloured logos. The Opera house to one side, the bridge ahead, then the lights of the towers of North Shore CBD on the right, with the laughing, freaky face of Luna Park underneath. All glowing against the black. Worth the trip alone.
Next day I had to be up to get the plane back into work. It was supposed to be a day off, but I’d swapped into the weekend and I can trade it off against a non-clinical day to get another day off when it suits me. Such a doctor thing to say. Ask any junior Dr if they’d rather work 72 hours straight then have 11 days off, or do six 12 hour shifts and have 8 days off, and they’ll always opt for “getting it over and done with”.
So anyhow, a final look at the view from Circular Quay station and onto the train. The airport is only 15 min or so ride, the queue at the bag-drop was much longer than on the way out (I was surprised). Back onto the Virgin Blue with “yourfantasticcrew” (I get the idea) and we flew over NSW, Vic and SA. Where the land had just looked grey on the way out, now you could see a patchwork of huge squares, each a different shade of russet or dark, and occasionally the pale ghosts of old rivers across the flatness. You know you reach Adelaide by the turbulence over the hills, then onto the airport where you’re watching, knowing you can’t land there because there’s no runway and well, we might as well drop in for a cup of tea after we’ve landed on your roof. And then you’re down and in less than an hour at home or in work.

